Natasha Nelson is a vocalist based in the New York metropolitan area. Recent operatic credits have included roles in Dido and Aeneas (Dido), Dialogues des Carmélites (Mère Marie), Die Fledermaus (Prince Orlofsky), and Pygmalion (La Statue). Natasha has trained in dance for more than 14 years and has performed at Symphony Space in Manhattan.
Since 2015, Natasha has served as Editorial Assistant for the Kurt Weill Newsletter, a publication focused on twentieth-century music and theater. Her writing has been featured in Classical Singer magazine.
Read her recent article on a lecture exploring the phonograph record collection of abstract expressionist painters Jackson Pollock and Lee Krasner, here.
Photo by Natasha Komoda.